Jazz phrasing is at the heart of what makes jazz unique and captivating. As a jazz singer, understanding how to phrase your melodies and lyrics with the same freedom and creativity that an instrumentalist might is key to bringing your performances to life. Phrasing in jazz isn’t just about singing or playing notes in a specific order. It’s about the spaces between those notes—the subtle choices of rhythm, timing, and dynamics—that give the music its emotional depth and individuality.
Jazz phrasing, whether on vocals or instruments, often involves bending traditional rules of melody and rhythm. It’s a reflection of the artist’s voice, their mood, and their understanding of the music itself. This art of phrasing is something that jazz musicians—vocalists included—constantly shape and redefine with each note. In this article, we’ll explore the essential concepts of jazz phrasing, drawing inspiration from both vocalists and instrumentalists such as Miles Davis and D'Angelo, who are known for their distinctive approaches to phrasing. We’ll discuss how phrasing transcends just singing the melody and becomes a powerful tool for storytelling and expression. What Is Jazz Phrasing? At its core, phrasing in jazz refers to how a musician shapes and interprets a musical phrase. It’s the way in which a phrase is delivered rhythmically, melodically, and dynamically, allowing for personal expression and nuance. In jazz, a "phrase" is not always a simple sequence of notes; it’s more about how those notes are played (or sung), and how they are articulated through timing, pauses, and emphasis. A jazz phrase might stretch or compress time, leave space where silence would traditionally be, or place emphasis on unexpected beats. This freedom is what allows a jazz musician—whether vocalist or instrumentalist—to "speak" through their instrument, telling a story with each note. As a jazz singer, your voice becomes an instrument that can play with time and rhythm in ways that are unique to you. The Role of Phrasing in Jazz Singing When it comes to jazz singing, phrasing is just as important, if not more so, than the melody itself. Jazz singers don’t simply sing the notes that are written on the page—they interpret those notes in a way that expresses their individual style and emotional connection to the music. This ability to interpret and manipulate phrasing is one of the things that separates jazz singers from other vocalists.
Though we’re focusing on vocal phrasing here, it’s worth noting that instrumentalists also have their own unique ways of phrasing, and these techniques often cross over into vocal jazz. Jazz instrumentalists, such as trumpet legend Miles Davis, are known for their distinctive phrasing, which can provide inspiration for jazz singers. Miles Davis: The Master of Space and Silence Miles Davis is perhaps one of the greatest examples of a musician who understood the power of phrasing, especially the use of space and silence. Known for his sparse, expressive trumpet lines, Davis was a master of restraint. He often played fewer notes than expected, allowing the spaces in between to carry just as much meaning as the notes themselves. For vocalists, this approach can be applied by choosing when to hold a note longer than expected or when to intentionally drop out of a line to let the music breathe. This can create a sense of intimacy or introspection, as Davis often did with his trumpet. His phrasing, though understated, was always deeply emotional, telling stories through silence as much as through sound. Watch this video, where Herbie Hancock explains Miles Davis' advice. D'Angelo: Soulful Syncopation D'Angelo, the neo-soul musician known for his smooth vocal delivery and complex rhythms, is another great example of a contemporary artist who has mastered phrasing. His approach to phrasing has roots in both jazz and soul music, blending intricate rhythmic syncopations with a relaxed, almost conversational tone. What makes D'Angelo’s phrasing so compelling is his ability to "play" with time. His lines often stretch or compress rhythmically, creating an off-beat quality that adds tension and groove. For jazz singers, this type of phrasing can be applied by deliberately altering your phrasing against the beat, creating a laid-back feel or swinging feel depending on the rhythm of the song. D'Angelo uses the concept of beat timing known as Dilla Time, after the great beatmaker J Dilla. Watch this video for a description of how Dilla Time works. Key Elements of Jazz Phrasing: What to Focus On
While it’s helpful to learn from great musicians like Miles Davis or D'Angelo, developing your own phrasing style is an important step in becoming a true jazz vocalist. The more you study the masters, the more you’ll be able to internalize various phrasing techniques and then make them your own.
Jazz phrasing is the backbone of a great performance. It’s about creating an emotional connection through timing, articulation, and rhythm—whether on vocals or an instrument. By studying and incorporating techniques from jazz greats like Miles Davis and D'Angelo, you can develop a phrasing style that speaks to your individuality as a vocalist. As you learn to manipulate rhythm, space, and dynamics, you’ll unlock the power of phrasing, giving your performances the nuance and emotion that make jazz so captivating. Happy singing!
0 Comments
Leave a Reply. |
Archives
July 2025
Categories |